The Gulbenkian Museum is a remarkable gallery that shows workmanship from 2000 BC to the early twentieth century. The gathering was given by Calouste Gulbenkian, a humanitarian and supporter of expressions of the human experience of Armenian drop.

In his last will Calouste Gulbenkian gave the Portuguese state with his fortune and his vast gathering of fine art.


In 1956, one year after his passing, the Gulbenkian Foundation was made which as indicated by his will, underpins expressions of the human experience, science, training and social welfare. Today the establishment underpins a substantial number of social tasks and social focuses and it arranges exercises and impermanent displays.

The establishment is headquartered in an advanced complex set in a rich enclosure. It has a huge library, an outdoors theater and two exhibition halls: the Gulbenkian Museum and the Modern Art Center, which opened in 1983.

Gulbenkian’s accumulation of antiquated workmanship is housed in a current reason manufactured gallery from 1969, with plentiful space to show the gathering without overpowering the guests.

The majority of the around three thousand bits of craftsmanship were gathered by Gulbenkian himself, who had an astounding taste. The workmanship, which goes from embroidered artwork, ceramics, gems and dish sets to compositions, figure and furniture is shown in open decently lighted rooms and separated into two circuits.

The first is given to Egyptian craftsmanship, Classical workmanship and items from the Middle and Far East. Highlights incorporate Egyptian scarabs, a Greek Vase, Roman gems, Assyrian bas-reliefs, Persian embroidered works of art, Chinese porcelain and Japanese compositions.

The second circuit shows European workmanship, with an accentuation on French beautifying expressions.

Of note are the medieval lit up books, a gathering of artistic creations from Flemish, Italian and French bosses, and an accumulation of eighteenth-century French furniture, of which Gulbenkian was especially affectionate. An entire room is devoted to the Art Nouveau adornments of René Lalique, a creator who made gems that were regularly trimmed with valuable stones and finished with gold or polish.

Calouste Gulbenkian was an Armenian petrol tycoon who was conceived in the Ottoman realm in 1869.

His gathering began with the buy of old coins at a business sector when he was only fifteen years of age. He procured his fortune with the investigation of oil in the Middle East and in 1928 he acquired the epithet ‘Mister 5%’ after he sold his organization to four of the biggest oil organizations on the planet as an exchange for five percent of the stocks.

Gulbenkian spent a lot of his life in London and Paris, however amid the Second World War he settled for Lisbon – Portugal remained formally nonpartisan amid the war – where he existed until his passing in 1955.

For the duration of his life Gulbenkian gathered more than six thousand bits of craftsmanship. Amid the most recent twenty years of his life he invested much time choosing where his accumulation would be shown. He at first wanted to hand it over to the National Gallery in London and later dialogs were launched with the National Gallery of Art in Washington, DC however no assention could be arrived at. After his passing, in 1960, the gathering was brought to Portugal and a devoted exhibition hall at last opened in 1969. Gulbenkian himself is respected with an extensive landmark before the home office of the Gulbenkian Foundation. The landmark demonstrates to him situated before a titan hawk.








Gulbenkian Museum
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